名称: Untitled #109/无题#109
日期: 1982
馆藏载体：35mm幻灯片

辛迪·谢尔曼（Cindy Sherman，1954-）是20世纪后期至当代艺术最重要的美国摄影艺术家之一，在世界当代摄影史上属于第一梯队大师级，也是观念摄影、女性主义艺术与身份研究的重要代表。她以自拍、角色扮演和精心设计的场景挑战传统的女性形象、社会身份与视觉文化。《无题＃109》系列，1988-1990是谢尔曼最著名的系列之一。她借鉴欧洲艺术史中的宗教画、贵族肖像和古典绘画传统，通过服装、假肢、化妆及人工布景重新塑造历史人物。作品既像经典肖像，又带有明显的戏剧性和人为痕迹，从而质疑艺术史中关于女性、身份、美貌和真实性的既定观念。

谢尔曼作品被纽约现代艺术博物馆（MoMA）、大都会艺术博物馆（The Met）、古根海姆博物馆、芝加哥艺术学院、洛杉矶县艺术博物馆（LACMA）等世界重要机构收藏。她的作品对当代摄影、女性主义艺术及观念艺术产生了深远影响，具有重要的艺术史、博物馆收藏与学术研究价值。

Cindy Sherman｜Master of Contemporary Photography
Cindy Sherman (1954-) is one of the most important American photographers and contemporary artists of the late 20th and early 21st centuries. She ranks among the first tier of masters in contemporary photography and is a major figure in conceptual photography, feminist art, and the study of identity. Through self-portraiture, role-playing, and carefully constructed settings, she challenges conventional representations of women, identity, and visual culture.

Untitled #109 (1988-1990) is one of Sherman’s best-known series. Drawing on religious paintings, aristocratic portraits, and classical European art, Sherman reconstructs historical figures through costumes, prosthetics, makeup, and staged settings. The works resemble traditional portraits while revealing their theatrical and artificial qualities, questioning established ideas about women, identity, beauty, and authenticity in art history.

Sherman’s work is held by major institutions including the Museum of Modern Art (MoMA), The Metropolitan Museum of Art (The Met), the Solomon R. Guggenheim Museum, the Art Institute of Chicago, and the Los Angeles County Museum of Art (LACMA). Her work has had a lasting influence on contemporary photography, feminist art, and conceptual practice, and holds significant art-historical, museum, and scholarly value. >>返回 >>