名称: Japanese American family awaiting evacuation during World War II/待被强制迁移的日裔美国家庭
类别: Gelatin Silver Print/银盐照片
拍摄日期: 1942 (California, on May 8, 1942)
制作日期: 1970s
尺寸: 20x25cm（8x10inch ）

D.兰格（Dorothea Lange,1895-1965）是美国纪实摄影巨匠，以FSA时期《流民母亲》定义大萧条影像；1941年首位获古根海姆奖女性，联创《光圈》，将摄影化为社会干预工具。其日裔撤离系列（含本幅持田一家）被军方封存，后成民权视觉铁证。

作品入藏：奥克兰博物馆（核心档案2.5万底片）、MoMA（470余件在线）、国会图书馆（FSA原版）、国家档案馆（WRA原片）、盖蒂、NGA、Nelson-Atkins、SFMOMA、芝加哥艺术学院等。

1972年，纽约惠特尼美术馆举办了轰动全美的《9066号行政命令》展，其中由理查德·康拉特夫妇从美国国家档案馆发掘、曾被军方扣押三十年的27张D.兰格拘留营照片，被作为核心单元“Exhibit 155”（155号证物）冷峻展出。策展摒弃了常规艺术装裱，采用法庭呈堂证物般的纪实形式，辅以战时官方冰冷的说明文字，将历史不公直接搬上公众审判台，给当时沉浸在“人道撤离”谎言中的纽约公众带来巨大的道德与视觉冲击。

该展的成功举办不仅戳破了战时谎言，更在全美巡展中引发了广泛的政治回响。它不仅成为美国纪实摄影史上的里程碑，更直接点燃了日裔群体的“平反纠错运动”。作为无可辩驳的视觉铁证，这批照片最终促成了国会1988年通过《公民自由法案》，使美国政府正式向幸存者道歉并赔偿。

Dorothea Lange (1895-1965) was one of the greatest documentary photographers of the 20th century. Best known for her Farm Security Administration (FSA) photographs, her masterpiece "Migrant Mother" became an enduring symbol of the Great Depression and transformed photography into a force for social awareness. In 1941, Lange became the first woman to receive a Guggenheim Fellowship and later co-founded "Aperture" magazine, promoting photography as an important cultural and humanitarian medium.

Her powerful photographs of Japanese American families during World War II, including the Mochida family series, were suppressed by the military but later recognized as essential historical documents of civil rights and social justice. Her works are preserved in major collections worldwide, including the Oakland Museum, MoMA, Library of Congress, National Archives, Getty Museum, National Gallery of Art, Nelson-Atkins Museum, SFMOMA, and the Art Institute of Chicago. Lange remains a landmark figure in the history of photography. >>返回>>