名称: Beggar/乞丐
类别: Tirage argentique/银盐照片
日期: 1920
尺寸: 13x20cm



名称: Portrait of an Annamite rickshaw puller/安南(Annamite)推车人的肖像
类别: Tirage argentique/银盐照片
日期: 1920
尺寸: 17x20cm



名称：Khme Vietnam/越南高棉人
类别: Tirage argentique/银盐照片
日期: 1920
尺寸: 18x22cm



名称：Vietnam-Tan Chau, Ninh Thuan, Vietnam/越南宁顺新洲人
类别: Tirage argentique/银盐照片
日期: 1920
尺寸: 14x22cm



名称：Vietnam-Tan Chau, Ninh Thuan, Vietnam/越南宁顺新洲人
类别: Tirage argentique/银盐照片
日期: 1920
尺寸: 14x22cm



名称：Lake/江边
类别: Tirage argentique/银盐照片
日期: 1920
尺寸: 20x28cm


Paul Gastaldy (c. 1885–1960) was a French photographer, writer, and publisher, active during the 1920s and 1930s, primarily working in French Indochina (present-day Vietnam). He operated a photography studio in Saigon (now Ho Chi Minh City) and maintained close connections with the French School of the Far East (École française d'Extrême-Orient) and the Trocadéro Museum (Musée du Trocadéro).

保罗·贾斯塔尔迪（Paul Gastaldy，约1885–1960）是法国摄影师、作家及出版商，活跃于1920至1930年代，主要在法属印度支那地区（今越南）从事摄影创作。他在西贡（今胡志明市）经营摄影工作室，并与法属远东学校（École française d'Extrême-Orient）及特罗卡代罗博物馆（Musée du Trocadéro）保持密切联系。

Gastaldy participated in numerous cultural research missions, producing extensive photographic documentation of Indochina, Siam (now Thailand), and Burma. He frequently used glass plate wet photography, creating works with a distinctive and evocative style, covering subjects such as Angkor Wat, Bangkok, local ethnic communities, and hospitals in Indochina. He also paid close attention to the lives of ordinary people, and his works often reflect a strong pictorialist aesthetic. Gastaldy was one of the most important artistic photographers in Asia during the Republican period of China, and his works are held in the collections of museums and art institutions in multiple countries.

贾斯塔尔迪参与多项文化考察任务，拍摄了大量印度支那、暹罗（今泰国）和缅甸的影像资料。他多采用玻璃湿版摄影，风格独具韵味，内容涵盖吴哥窟、曼谷、各民族风貌及印度支那的医院等题材。同时，他常关注底层民众生活，作品带有强烈画意摄影特色，是民国时期亚洲地区重要的艺术摄影师之一，其作品被多国博物馆和美术馆收藏。>>返回>>